By Richard Koszarski
The silent cinema used to be America's first smooth leisure undefined, a fancy social, cultural, and technological phenomenon that swept the rustic within the early years of the 20th century. Richard Koszarski examines the underlying constructions that made the silent-movie period paintings, from the operations of jap bankers to the issues of local theater musicians. He deals a brand new point of view at the improvement of this significant new and artwork shape and the public's reaction to it.
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Extra resources for An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 (History of the American Cinema, Volume 3)
30 T he E x p l o s io n of R isk s Reproductive technology provides another example. Instead of celebrating the important contribution that new developments in this sphere have made towards tackling the problem of infertility or the potential it has for giving women greater control over their fertility, the tendency has been to warn people of its consequences. The media revel in publishing sensational accounts about how this technology is misused by elderly women and lesbians. Reports continually warn of the ethical problems, whilst conservative writers condemn assisted conception as unnatural.
1990) One False Move . . A Study of Children’s Independent Mobility (London: PSI Publishing), p. 111. 14. Lawson, M. (1996) ‘Icebergs and Rocks o f the “Good” Lie’, Guardian, 24 June. 15. Quick, A. (1991) Unequal Risks: Accidents and Social Policy (London: Socialist Health Association), p. 81. 16. Sontag, S. (1990) Illness and its Metaphors (London: Penguin), p. 28. 17. See Gladwell, M. (1995) ‘The Plague Year: The Unscientific Origin of O ur Obsession with Viruses’, New Republic, 17 and 24 July.
2 The ease with which Forward shifts from technical to human toxins is indicative of the imagination of unbounded risks. The premise of this imagination is the belief that people pollute —not just the environment but also each other. The reinterpretation of human relations as toxic suggests that it is driven by a moralizing impulse. This conceptualization of pollution is influenced by the traditional meaning of the term. Pollution as a morally defined act traditionally involves the act of defilement and desecration.
An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928 (History of the American Cinema, Volume 3) by Richard Koszarski