By Peter Gill
Within the Hitchhiker's advisor to the Galaxy, writer Douglas Adams famously proposed that the reply to the query "What is the that means of Life?" used to be the quantity forty two. Why that quantity? through the years, many theories were recommend, yet Adams steadfastly refused to explain. It has taken a devoted fan and investigator, Peter Gill, ten years to set up simply why forty two is the reply. during this brilliantly exact, maniacally meticulous and hilariously offbeat volume,Gill provides us a complete diversity of the explanation why forty two particularly is the answer.
On web page forty two of Harry Potter and the Philosopher's Stone, Harry discovers he's a wizard.
Adolf Hitler became vegetarian on the age of 42.
Elvis Presley choked on his hamburger on the age of 42.
Washington is the forty second State.
Channel forty two within the Stanley inn in Colorado, the place Stephen King stayed sooner than writing The Shining, indicates Kubrick's movie of the publication in a single continuous loop.
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Extra info for 42: Douglas Adams' Amazingly Accurate Answer to Life, the Universe and Everything
14 This notion has been evoked only marginally in Van de Wetering’s recent article, Van de Wetering 2011, 53. 15 Inleyding 93; Blanc 2006, 193. This passage is actually a very interesting paraphrase of a paragraph on fiction in the Poetics: ‘The poet being an imitator, like a painter or any other artist, must of necessity imitate one of three objects – things as they were or are, things as they are said or thought to be, or things as they ought to be. The vehicle of expression is language – either current terms or, it may be, rare words or metaphors.
Modern scholars have failed to discuss pornography in Dutch visual culture, probably due to the dearth of extant material. For the written documents cf. I. Lee mans, Het woord is aan de onderkant: radicale ideeën in Nederlandse pornografische romans 1670-1700, Nijmegen 2002. 18 In contrast to the differentiation in modern Dutch between verf (the material) and kleur (the optical or psychological phenomenon), Van Hoogstraten’s term verw could refer to all the different aspects. 19 Obviously, the exchange could also be the other way around: the play-actor Johannes Jelgerhuis stated that ‘de Lairesse and Van Mander enabled me to be what I am’.
In his Due trattati (1568), for example, the Italian sculptor Benvenuto Cellini (1500-1571) discusses the use and manipulation of furnaces for the fabrication of bronze casts and explains that ‘it is necessary that sculptors should be aware of all this advice and informed of the nature of metals and of many other things which are taught by the theory (teorica) and practice (prattica)’. 27 For Cellini, the ‘theory’ of a sculptor is not only a direct offshoot of practice; it is also the only route to get to ‘know the causes’ (conoscere le cause) of every one of his choices.
42: Douglas Adams' Amazingly Accurate Answer to Life, the Universe and Everything by Peter Gill